@article{colomban:hal-03740083,
title = {pXRF Data Evaluation Methodology for On-Site Analysis of Precious Artifacts: Cobalt Used in the Blue Decoration of Qing Dynasty Overglazed Porcelain Enameled at Customs District (Guangzhou), Jingdezhen and Zaobanchu (Beijing) Workshops},
author = {Philippe Colomban and Gulsu Simsek Franci and Michele Gironda and Pauline D'abrigeon and Anne-Claire Schumacher},
url = {https://hal.archives-ouvertes.fr/hal-03740083},
doi = {10.3390/heritage5030091},
year  = {2022},
date = {2022-09-01},
urldate = {2022-09-01},
journal = {Heritage},
volume = {5},
number = {3},
pages = {1752-1778},
publisher = {MDPI},
abstract = {In a noninvasive determination, Raman and XRF analyses showed the possibility of identifying specific phases and elements characteristic of the use of recipes and ingredients imported from Europe, according to the information documented in Chinese and European archives. Two sets of objects, supposed to have been produced during the Qing Dynasty (1662\textendash1912) at the Forbidden City (‘imperial bowls’ of the Baur Foundation, Geneva) and in the customs district of Guangzhou (Mus\'{e}e Ariana, Geneva), were analyzed with pXRF and also for some objects with Raman microspectroscopy also on-site. The heterogeneity of the colored zones, in three spatial directions, requires the development of a new methodology. We focused particular attention on the cobalt used in the colored areas and marks, drawn either on the body layer (standard underglaze) or on the glaze itself (overglaze). Comparison is made with previous data on Chinese and Vietnamese porcelains from the Yuan (1271\textendash1368) and Ming Dynasty (1368\textendash1644) periods. Combined data for objects attributed to Guangzhou from the Kangxi and Yongzheng periods indicates the use of the same raw materials con- taining cobalt, associated with arsenic, nickel, zinc, copper and bismuth, according to the European sources. Similarity of the glaze composition and impurities promotes the production of the glazed body with the same raw materials as those used at Jingdezhen. A consistent shift in data for Qianlong style items, which are significantly richer in manganese, is compatible with their partial mixing with Asian cobalt. The deliberate selection of conflicting objects\textemdashnamely, examples belonging to the other places of production or different periods\textemdashare well-observed outside the ‘Guangzhou’ cluster. Some artifacts have anachronistic purity characteristics that support a production after ca. 1850. For instance, two objects on which certain attributions had been made concerning the stylistic analysis are definitive examples of ceramics using a refined ‘cobalt’ and therefore now may be assigned to the later production period of the first half of the 19th century.},
keywords = {arsenic, authentication, blue, cobalt, imperial porcelain, mark, overglaze, Qing Dynasty, underglaze, XRF},
pubstate = {published},
tppubtype = {article}
}
@article{Colomban_2022aa,
title = {Distinguishing Genuine Imperial Qing Dynasty Porcelain from Ancient Replicas by On-Site Non-Invasive XRF and Raman Spectroscopy},
author = {Philippe Colomban and Michele Gironda and Gulsu Simsek Franci and Pauline d'Abrigeon},
url = {https://pubmed.ncbi.nlm.nih.gov/36013883/, https://www.researchgate.net/publication/362813617_Distinguishing_Genuine_Imperial_Qing_Dynasty_Porcelain_from_Ancient_Replicas_by_On-Site_Non-Invasive_XRF_and_Raman_Spectroscopy},
doi = {10.3390/ma15165747},
year  = {2022},
date = {2022-08-01},
urldate = {2022-08-01},
journal = {Materials (Basel)},
volume = {15},
number = {16},
abstract = {The combined use of non-invasive on-site portable techniques, Raman microscopy, and X-ray fluorescence spectroscopy on seven imperial bowls and two decorated dishes, attributed to the reigns of the Kangxi, Yongzheng, Qianlong, and Daoguang emperors (Qing Dynasty), allows the identification of the coloring agents/opacifiers and composition types of the glazes and painted enamels. Particular attention is paid to the analysis of the elements used in the (blue) marks and those found in the blue, yellow, red, and honey/gilded backgrounds on which, or in reserve, a floral motif is principally drawn. The honey-colored background is made with gold nanoparticles associated with a lead- and arsenic-based flux. One of the red backgrounds is also based on gold nanoparticles, the second containing copper nanoparticles, both in lead-based silicate enamels like the blue and yellow backgrounds. Tin and arsenic are observed, but cassiterite (SnO2) is clearly observed in one of the painted decors (dish) and in A676 yellow, whereas lead (calcium/potassium) arsenate is identified in most of the enamels. Yellow color is achieved with Pb-Sn-Sb pyrochlore (Naples yellow) with various Sb contents, although green color is mainly based on lead-tin oxide mixed with blue enamel. The technical solutions appear very different from one object to another, which leads one to think that each bowl is really a unique object and not an item produced in small series. The visual examination of some marks shows that they were made in overglaze (A608, A616, A630, A672). It is obvious that different types of cobalt sources were used for the imprinting of the marks: cobalt rich in manganese for bowl A615 (Yongzheng reign), cobalt rich in arsenic for bowl A613 (but not the blue mark), cobalt with copper (A616), and cobalt rich in arsenic and copper (A672). Thus, we have a variety of cobalt sources/mixtures. The high purity of cobalt used for A677 bowl indicates a production after ~1830-1850.},
keywords = {arsenic, cobalt, color, elemental composition, gold nanoparticles, imperial bowl, pigments, Porcelain, pyrochlore, reign mark},
pubstate = {published},
tppubtype = {article}
}
@online{ShipwreckAsia,
title = {Shipwreck Asia},
editor = {shipwreckasia.org},
url = {http://www.shipwreckasia.org},
year  = {2020},
date = {2020-04-04},
urldate = {2020-04-04},
organization = {www.shipwreckasia.org},
abstract = {Shipwreck Asia is an online database of shipwrecks and ship remains classified by the geographical regions where they have been found. It aims to promote the international study of maritime culture and cultural heritage management in Asia. This database has initially been designed to collect archaeological data on medieval oceangoing vessels that originated in East Asia, and aims at extending the data collection of shipwrecks in Southeast Asia. These data have been submitted by regional authorities and local researchers in the field of maritime and nautical archaeology and naval history.},
keywords = {Archaeology, shipwreck},
pubstate = {published},
tppubtype = {online}
}
@online{TheMet_Heilbrunn,
title = {The Met's Heilbrunn Timeline of Art History},
author = {The MET},
editor = {Heilbrunn Foundation New Tamarind Foundation and Zodiac Fund},
url = {https://www.metmuseum.org/toah/chronology/},
year  = {2020},
date = {2020-04-04},
urldate = {2020-04-04},
organization = {The Met},
abstract = {The Met's Heilbrunn Timeline of Art History 
pairs essays and works of art with chronologies, 
telling the story of art and global culture 
through the Museum's collection. 
Funded by the Heilbrunn Foundation, New Tamarind Foundation, and Zodiac Fund 
 Keywords =},
keywords = {History},
pubstate = {published},
tppubtype = {online}
}
@article{Ballian,
title = {Exchanges between Byzantium and the Islamic World: Courtly Art and Material Culture},
author = {Anna Ballian},
editor = {Museum Islamic Art BENAKI MUSEUM},
year  = {2020},
date = {2020-01-01},
keywords = {echanges, Islam},
pubstate = {published},
tppubtype = {article}
}
@article{Petrik2020,
title = {Islamic glazed pottery from Adiabene (Iraq, Kurdistan): multianalytical research into its technological development and provenance},
author = {Jan Pet\v{r}\'{i}k and Karel Novacek and Dalibor V\v{s}iansk\'{y} and Ali Al-Juboury and Karel Slav\'{i}\v{c}ek},
url = {https://www.academia.edu/41639144/2020_Islamic_glazed_pottery_from_Adiabene_Iraq_Kurdistan_multianalytical_research_into_its_technological_development_and_provenance?email_work_card=view-paper},
doi = {10.1007/s12520-019-01002-3},
year  = {2020},
date = {2020-01-01},
urldate = {2020-01-01},
journal = {Archaeological and Anthropological Sciences},
volume = {12},
number = {19},
abstract = {This paper explores the production characteristics and provenance of Islamic glazed pottery in the Adiabene region of northeastern Mesopotamia. Samples cover the entire time span under study, i.e., from the Early to the Late Islamic periods. Analytical techniques such as ceramic petrography, powder X-ray diffraction, scanning electron microscopy, and X-ray microanalysis were employed to determine compositional (mineralogical and chemical) and technological characteristics. Based on the comparison of ceramic fabrics with up-to-date knowledge of regional geology, local plain pottery, and the published petrography of Mesopotamian ceramics, several provenance groups of glazed pottery (and one group of unglazed pottery) in the sample collection, originating from the Zabs catchment, the middle course of the Tigris (Samarra?) and the middle and lower course of the Tigris (Baghdad and/or Basra?) were defined. Dynamic oscillations in the ratio of regionally produced and imported pottery enable a detailed study of the socioeconomic differences between the Early and Middle Islamic periods.},
keywords = {archaeology in Iraq, Early Islamic period, Glaze composition, Islamic glazed pottery, Petrofabrics, Provenance.Adiabene},
pubstate = {published},
tppubtype = {article}
}
@incollection{lim_southeast_2019,
title = {Chinese Ceramics in Southeast Asia},
author = {Tse Siang Lim},
url = {https://www.academia.edu/37565183/Chinese_Ceramics_in_Southeast_Asia,
http://link.springer.com/10.1007/978-3-319-51726-1_3149-1},
doi = {10.1007/978-3-319-51726-1_3149-1},
isbn = {978-3-319-51726-1},
year  = {2019},
date = {2019-01-01},
urldate = {2019-01-01},
booktitle = {Encyclopedia of Global Archaeology},
pages = {1--16},
publisher = {Springer International Publishing},
address = {Cham},
keywords = {ceramics, review, Southeast Asia},
pubstate = {published},
tppubtype = {incollection}
}
@article{Magli2019b,
title = {Astronomy and Feng Shui in the projects of the Tang, Ming and Qing royal mausoleums: A satellite imagery approach},
author = {Giulio Magli},
url = {https://linkinghub.elsevier.com/retrieve/pii/S2352226718300515,
https://arxiv.org/pdf/1804.00264.pdf},
doi = {10.1016/j.ara.2018.10.004},
issn = {23522267},
year  = {2019},
date = {2019-01-01},
urldate = {2019-01-01},
journal = {Archaeological Research in Asia},
volume = {17},
pages = {98--108},
abstract = {The royal Chinese mausoleums of the Tang, Ming and Qing Chinese dynasties are astounding ensembles of monuments, conceived and built to assure immortality in the afterlife and perennial fame on Earth for the emperors. To this end, a series of cognitive elements were embodied in the funerary landscapes selected for such monuments, including astronomy, general topography and traditional Chinese “geomancy”. Taking advantage of satellite imagery and paleo-magnetic data analysis, I investigate this issue from a general perspective. In particular, a simple but rigorous approach is developed to determine whether the magnetic compass was used in the planning of such monuments.},
note = {Chinese mausoleums 
Chinese sacred landscapes Archaeoastronomy of ancient China History of Feng Shui},
keywords = {Archaeoastronomy, Archaeology, Chinese mausoleums, Chinese sacred landscapes, Feng Shui, Ming, Qing, Tang},
pubstate = {published},
tppubtype = {article}
}
@book{wu_archaeology_2019,
title = {Archaeology of Manila Galleon Seaports and Early Maritime Globalization},
editor = {Chunming Wu and Roberto Junco Sanchez and Miao Liu},
url = {http://link.springer.com/10.1007/978-981-32-9248-2,
https://download.e-bookshelf.de/download/0013/2967/83/L-G-0013296783-0037164476.pdf},
doi = {10.1007/978-981-32-9248-2},
isbn = {978-981-329-247-5 978-981-329-248-2},
year  = {2019},
date = {2019-01-01},
urldate = {2019-01-01},
volume = {2},
publisher = {Springer Singapore},
address = {Singapore},
series = {The Archaeology of Asia-Pacific Navigation},
abstract = {During the sixteenth to nineteenth centuries, the Spanish navigators established and operated the Manila Galleon maritime route which connected East Asia and New Spain in the American continent. The galleons sailed across the Pacific via the hub seaports and trade centers of Manila in the Philippines and Acapulco in Mexico, forming a prosperous sea route for more than 250 years. This pioneering navigation of pan-Pacific regions promoted early global maritime trade as a new maritime Silk Road between the East and the West.},
keywords = {},
pubstate = {published},
tppubtype = {book}
}
@article{ChidaRazvi2019FromFT,
title = {From Function to Form: Chini-khana in Safavid and Mughal Architecture},
author = {Mehreen Chida-Razvi},
url = {https://www.academia.edu/40147554/Chini_khana_in_Safavid_and_Mughal_Architecture?email_work_card=view-paper
},
year  = {2019},
date = {2019-01-01},
urldate = {2019-01-01},
journal = {South Asian Studies},
volume = {35},
pages = {106 - 82},
abstract = {Undertaking a comparative examination of a particular decorative form in the architecture of the sixteenth- and seventeenth-century Persianate world, this paper briefly introduces the appearance of Chini-khana in the Timurid era before examining its subsequent use in Safavid and Mughal structures. Originally created by Timurid patrons as a specific building or room to display precious Chinese porcelains, how the Chini-khana underwent parallel evolutions in Safavid and Mughal architecture is examined. While the same, or similar, architectural forms and decorative devices were at times used in different areas of the Persianate World, their evolution of form and function sometimes altered; this was the case for chini-khana. While both the Safavids and Mughals derived their awareness of it from the first Timurid Chini-khanas, each then adopted and/or adapted the original idea for their own purposes. In the architecture of both is present the continuation of an architectural device from a shared cultural history, but with differences in form, function and aesthetic desires.},
keywords = {architecture, chini-khana, Mughal, Persianate aesthetic, Porcelain, Safavid},
pubstate = {published},
tppubtype = {article}
}
@article{Chen2019,
title = {Fooling the eye: trompe l’oeil porcelain in High Qing China},
author = {Chih-en Chen},
url = {https://journals.openedition.org/framespa/6246 https://www.academia.edu/39519913/Chih_en_Chen_Fooling_the_eye_trompe_l_oeil_porcelain_in_High_Qing_China_Les_Cahiers_de_Framespa_En_ligne_31_2019_mis_en_ligne_le_01_juin_2019_consult\'{e}_le_11_juin_2019_URL_http_journals_openedition_org_framespa_6246_Haut_de_page?email_work_card=view-paper},
doi = {10.4000/framespa.6246},
year  = {2019},
date = {2019-01-01},
urldate = {2019-01-01},
journal = {Les Cahiers de Framespa},
volume = {31},
pages = {1-44},
abstract = {Porcelain imitation of other materials, or so-called ‘trompe l\'{o}eil’ porcelain, 
popular from the late Yongzheng to the Qianlong period, has been regarded as 
an aesthetic representative of Chinese emperors as well as an iconography of court power. 
Several studies have been conducted to understand the connection between porcelain and 
emperors’ connoisseurship; however, much of that research has focused on the physical 
characteristics of porcelain and corresponding imageries, namely the painted antiquity 
cataloging album. Such object-focused methodology overlooks the concept underlying 
the works, which is inherently related to their very existence, namely their origin. 
Pierson characterizes this traditional approach as ‘outward focused’, and suggests 
a new methodology to overcome its shortcomings. This framework is focused on 
‘of the period’ literatures, to define the understanding of certain aesthetics. 
Therefore, in this essay, numerous Chinese classics are reviewed from Warring States 
period Lilun to Qing dynasty Hong Lou Meng. Following the terminology investigation 
over Chinese classic literatures, this research proposes some possible rationale 
behind a considerable number of trompe l\'{o}eil porcelains passed down from 
the Qing Imperial workshops which seems to be ignored in Huoji dang. Moreover, 
based on Huoji dang, this essay aims to understand how Qing dynasty emperors and 
the Imperial workshop’s reception of trompe l\'{o}eil works of art and 
their iconographic connotations.},
keywords = {Imperial kilns, Old Summer Palace, Qianlong, Trompe-l'oeil-porcelain, Trompe-l’oeil, Yongzheng},
pubstate = {published},
tppubtype = {article}
}
@article{shea_mongol_2018,
title = {The Mongol Cultural Legacy in East and Central Asia: The Early Ming and Timurid Courts},
author = {Eiren L Shea},
url = {https://www.tandfonline.com/doi/full/10.1080/0147037X.2018.1510151 
https://www.academia.edu/37495443/The_Mongol_Cultural_Legacy_in_East_and_Central_Asia_The_Early_Ming_and_Timurid_Courts},
doi = {10.1080/0147037X.2018.1510151},
issn = {0147-037X, 1759-7595},
year  = {2018},
date = {2018-01-01},
urldate = {2020-06-18},
journal = {Ming Studies},
volume = {2018},
number = {78},
pages = {32--56},
abstract = {Following the fall of the Mongol Empire (c. 1206--1368) in both East and West Asia, Zhu Yuanzhang (Hongwu Emperor, r. 1368--1398), the founder of the Ming Dynasty (1368--1644) in China, Timur (r. 1370--1405), founder of the Timurid Empire (1370--1507) in Central Asia, and their successors used the legacy of the Chinggisid Mongols in different ways to lend an aura of power and legitimacy to their newly established courts. In this paper, I explore the cultural legacy of the Mongol Empire as manifested in the early Ming and Timurid courts, with a special interest in how continuing cultural exchange between the two courts impacted the arts produced in both places. In particular, I highlight how the ongoing incorporation of ``foreign'' motifs and techniques set the tone for the arts of both courts in the late fourteenth century.},
keywords = {Central Asia, East Asia, Ming, Mongol, Timurid},
pubstate = {published},
tppubtype = {article}
}
@incollection{heng_ships_2018,
title = {Ships, Shipwrecks, and Archaeological Recoveries as Sources of Southeast Asian History},
author = {Derek Heng},
url = {http://asianhistory.oxfordre.com/view/10.1093/acrefore/9780190277727.001.0001/acrefore-9780190277727-e-97},
doi = {10.1093/acrefore/9780190277727.013.97},
isbn = {978-0-19-027772-7},
year  = {2018},
date = {2018-01-01},
urldate = {2019-10-05},
booktitle = {Oxford Research Encyclopedia of Asian History},
publisher = {Oxford University Press},
abstract = {Ships form a critical component of the study of Southeast Asia’s interaction both within itself as well as with the major centers of Asia and the West. Shipwreck data, accrued from archaeologically excavated shipwreck sites, provide information on the evolving maritime traditions that traversed Southeast Asian waters over the last two millennia, including shipbuilding and navigational technologies and knowledge, usage of construction materials and techniques, types of commodities carried by the shipping networks, shipping passages developed through Southeast Asia, and the key ports of call that vessels would arrive at as part of the network of economic and social exchanges that came to characterize maritime interactions.},
keywords = {archaeologically, Archaeology, shipwreck},
pubstate = {published},
tppubtype = {incollection}
}
@article{colomban2017,
title = {Non-invasive Raman analyses of Chinese huafalang and related porcelain wares. Searching for evidence for innovative pigment technologies},
author = {Philippe Colomban and Yizheng Zhang and Bing Zhao},
url = {https://linkinghub.elsevier.com/retrieve/pii/S0272884217312786 
https://www.academia.edu/35460405/Non_invasive_Raman_analyses_of_Chinese_huafalang_and_related_porcelain_wares_Searching_for_evidence_for_innovative_pigment_technologies},
doi = {10.1016/j.ceramint.2017.06.063},
issn = {02728842},
year  = {2017},
date = {2017-10-01},
urldate = {2017-10-01},
journal = {Ceramics International},
volume = {43},
number = {15},
pages = {12079--12088},
abstract = {Eighteen Chinese painted enamelled porcelains and three Chinese enamelled Yixing stonewares dated to the 16th to 19th centuries and kept at the Mus\'{e}e national des arts asiatiques-Guimet (MNAAG), have been analysed with a mobile Raman set-up to identify their enamelling technology. Different Grand Feu (leadless or lead-poor colourless and blue enamel) and Petit Feu (lead-rich red (hematite), yellow and green (Pb-Sn/Sb/X pyrochlore) and black enamels) glazes were respectively identified on wares from the wucai group, the Famille verte group, and the huafalang group. Calcium phosphate was detected in a 17th century vase as a rare opacifier. Cassiterite was identified in the light green glaze of an imperial huafalang bowl dated to the final period of the Kangxi reign (1662--1722), ca. the 1st quarter of the 18th century. Lead arsenate was identified in the blue glaze of two artefacts, a huafalang bowl and a painted enamel water dropper, and in the blue enamel of a 19th century Yixing teapot. Lead arsenate found in some of the blue enamels appears to arise from the arsenic content in Erzgebirge cobalt ores (Saxony) and not due to voluntary addition. This may prove the use of raw materials or enamel powder imported from Europe in developing these opaque colours. The use of lead arsenate as white opacifier is clear for a water dropper bearing the Yongzheng emperor's mark (r. 1723--1735). The technological palette appears different for the artefacts expected to originate from the same period and provenance (imperial workshop) which is consistent with a period of intense innovation, open to technological skill from abroad -- i.e. from French/European painted enamel technology -- as revealed by ancient French (Jesuits) and Chinese historical reports.},
keywords = {China, huafalang, pigments, Raman, Spectroscopic analysis},
pubstate = {published},
tppubtype = {article}
}
@article{Tripati2017,
title = {Chemical composition and provenance of Chinese porcelain shards recovered from Old Goa, west coast of India},
author = {Sila Tripati and G Parthiban and J N Pattan and Andrew Menezes},
url = {https://www.researchgate.net/publication/317870912_Chemical_composition_and_provenance_of_Chinese_porcelain_shards_recovered_from_Old_Goa_west_coast_of_India
https://linkinghub.elsevier.com/retrieve/pii/S2352409X16306423
https://sfeco-drive.mycozy.cloud/public?sharecode=GWiCg6lLl6Qb},
doi = {10.1016/j.jasrep.2017.06.002},
issn = {2352409X},
year  = {2017},
date = {2017-01-01},
urldate = {2017-01-01},
journal = {Journal of Archaeological Science Reports},
volume = {14},
pages = {467--478},
abstract = {During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have been recovered. In order to understand the nature and source of raw material and kilns, these shards were analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature (SiO2 70%) and contain high Al2O3 (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials.},
keywords = {Archaeology, archaeology in Iraq, chine-archeologie, Chinese Porcelain, ICP-MS  analysis, Jingdezhen kiln, Maritime trade, Ming, Old Goa, Qing, shipwreck, South China, XRF analysis},
pubstate = {published},
tppubtype = {article}
}
@book{flood_companion_2017,
title = {A companion to Islamic art and architecture: from the Prophet to the Mongols},
editor = {Finbarr Barry Flood and G\"{u}lru Necipo\u{g}lu},
url = {https://booktoreadfoundation.com/pdf/a-companion-to-islamic-art-and-architecture/
https://www.academia.edu/41172370/A_Companion_to_Islamic_Art_and_Architecture_2
https://www.wiley.com/en-us/A+Companion+to+Islamic+Art+and+Architecture%2C+2+Volume+Set-p-9781119069218
https://sfeco-drive.mycozy.cloud/public?sharecode=nEm467gnZ4On
https://sfeco-drive.mycozy.cloud/public?sharecode=nEm467gnZ4On},
isbn = {978-1-119-06866-2},
year  = {2017},
date = {2017-01-01},
urldate = {2017-01-01},
volume = {2},
publisher = {Wiley Blackwell},
address = {Hoboken, NJ},
series = {Wiley Blackwell companions to art history},
abstract = {The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)},
keywords = {ART / History / General, Islamic architecture, Islamic art},
pubstate = {published},
tppubtype = {book}
}
@inproceedings{Babaie2017SlavesOT,
title = {Slaves of the Shah: New Elites of Safavid Iran},
author = {Sussan Babaie},
year  = {2017},
date = {2017-01-01},
keywords = {},
pubstate = {published},
tppubtype = {inproceedings}
}
@book{tan_advancing_2015,
title = {Advancing Southeast Asian archaeology 2013: selected papers from the first SEAMEO SPAFA International Conference on Southeast Asian Archaeology},
editor = {Noel Hidalgo Tan and Thailand) SEAMEO Regional Centre Archaeology and},
isbn = {978-616-7961-14-9},
year  = {2015},
date = {2015-01-01},
publisher = {SEAMEO SPAFA Regional Centre for Archaeology and Fine Arts},
address = {Bangkok, Thailand},
note = {OCLC: ocn934383031},
keywords = {Antiquities, Archaeology, Arts, Asia, Civilization, Conference papers and proceedings, Congresses, Cultural property, Excavations (Archaeology), Protection, Social archaeology, Southeast Asia},
pubstate = {published},
tppubtype = {book}
}
@article{power_2015,
title = {A First Ceramic Chronology for the Late Islamic Arabian Gulf},
author = {Timothy Power},
url = {http://www.equinoxpub.com/journals/index.php/JIA/article/view/27011},
doi = {10.1558/jia.v2i1.27011},
issn = {2051-9710, 2051-9729},
year  = {2015},
date = {2015-01-01},
urldate = {2020-01-21},
journal = {JIA},
volume = {2},
number = {1},
pages = {1--33},
abstract = {Islamic archaeology in the Arabian Gulf has grown tremendously in recent years. However, a ceramic chronology for the Late Islamic Arabian Gulf has not yet been put forward. The present paper constitutes a rst attempt at a re ned periodization based on the occupational sequence of al-Ain, UAE. The study is based on the typo- logical quanti cation of sherds from strati ed excavations undertaken by the Historic Buildings and Landscapes Section of the Tourism and Culture Authority Abu Dhabi. It is broadly based on the methodology developed by Derek Kennet in his much-cited Sasanian and Islamic Pottery from Ras al-Khaimah (2004). The c. 13,500-sherd assemblage has been divided into six periods of thirty to seventy years spanning the later seven- teenth to mid-twentieth centuries. The al-Ain assemblage is compared to published ceramics from contemporary sites in the Gulf region and further compared to relevant historical sources to draw out the wider implications of the ndings. The present study constitutes an interim report and full publication of ceramics from al-Ain will appear in a multi-authored pottery handbook currently in preparation.},
keywords = {Arabian Gulf, Archaeology, Islam},
pubstate = {published},
tppubtype = {article}
}
@article{Pevenage2015b,
title = {Illustration of compositional variations over time of Chinese porcelain glazes combining micro-X-ray Fluorescence spectrometry, multivariate data analysis and Seger formulas},
author = {Van J Pevenage and E Verhaeven and B Vekemans and D Lauwers and D Herremans and De W Clercq and L Vincze and L Moens and P Vandenabeele},
url = {https://linkinghub.elsevier.com/retrieve/pii/S0584854714003176 
https://www.researchgate.net/publication/272402627_Illustration_of_compositional_variations_over_time_of_Chinese_porcelain_glazes_combining_micro-X-ray_Fluorescence_spectrometry_multivariate_data_analysis_and_Seger_formulas},
doi = {10.1016/j.sab.2014.11.012},
issn = {05848547},
year  = {2015},
date = {2015-01-01},
urldate = {2015-01-01},
journal = {Spectrochimica Acta Part B: Atomic Spectroscopy},
volume = {103-104},
pages = {106--111},
abstract = {In this research, the transparent glaze layers of Chinese porcelain samples were investigated. Depending on the production period, these samples can be divided into two groups: the samples of group A dating from the Kangxi period (1661\textendash1722), and the samples of group B produced under emperor Qianlong (1735\textendash1795). Due to the specific sample preparation method and the small spot size of the X-ray beam, investigation of the transparent glaze layers is enabled. Despite the many existing research papers about glaze investigations of ceramics and/or porcelain ware, this research reveals new insights into the glaze composition and structure of Chinese porcelain samples. In this paper it is demonstrated, using micro-X-ray Fluorescence (μ-XRF) spectrometry, multivariate data analysis and statistical analysis (Hotelling's T-Square test) that the transparent glaze layers of the samples of groups A and B are significantly different (95% confidence level). Calculation of the Seger formulas, enabled classification of the glazes. Combining all the information, the difference in composition of the Chinese porcelain glazes of the Kangxi period and the Qianlong period can be demonstrated.},
keywords = {Archaeology, Archaeometry, chine-archeologie, Chinese Porcelain, Glaze analysis, Spectroscopic analysis, X-ray Fluorescence},
pubstate = {published},
tppubtype = {article}
}
@online{suntory2014,
title = {Imari: Japanese Porcelain for European Palaces},
author = {The Suntory Museum A},
editor = {The Suntory Museum A},
url = {https://www.suntory.com/sma/exhibition/2014_1/display.html},
year  = {2014},
date = {2014-03-01},
organization = {The Suntory Museum of A},
keywords = {imari, japon},
pubstate = {published},
tppubtype = {online}
}
@article{Qu2014,
title = {Microstructure characteristics of blue-and-white porcelain from the folk kiln of Ming and Qing Dynasties},
author = {Xiaoqing Xi Chengjie Huang Jinlong Yang Yanan Qu Jie Xu},
year  = {2014},
date = {2014-01-01},
journal = {Ceramics International 40 (2014) 8783\textendash8790},
volume = {40},
pages = {8783\textendash8790},
abstract = {Microstructure characteristics of blue-and-white porcelain from the folk kiln of Ming and Qing Dynasties 
Yanan Qu, Jie Xu, Xiaoqing Xi, Chengjie Huang, Jinlong Yang},
keywords = {chine-archeologie, Ming, Qing},
pubstate = {published},
tppubtype = {article}
}
@incollection{symonds_archaeology_2014,
title = {The Archaeology of Early Modern South East Asia},
author = {Miriam Stark},
editor = {James Symonds and Vesa-Pekka Herva},
url = {http://oxfordhandbooks.com/view/10.1093/oxfordhb/9780199562350.001.0001/oxfordhb-9780199562350-e-48},
doi = {10.1093/oxfordhb/9780199562350.013.48},
isbn = {978-0-19-956235-0},
year  = {2014},
date = {2014-01-01},
urldate = {2019-10-05},
booktitle = {The Oxford Handbook of Historical Archaeology},
publisher = {Oxford University Press},
abstract = {South East Asians in the early modern period (c.1450\textendash1800) embraced technological innovations and novel ideas that crossed their paths. The fifteenth century ushered in the collapse of large empires and the rise of local craft industries; multi-ethnic diasporic communities developed in port cities; and standardized currencies structured local economies. Europeans entered this world in search of luxury goods and precious metals\textemdashin two centuries they would colonize most of the region. Although most historians explain the emergence of South East Asia’s ‘Age of Commerce’ through external factors, indigenous documents and archaeological information from this period offer insights on internal dynamics that contributed to region-wide transformations. Two objectives structure this chapter: to assess the range of issues that archaeological research has raised, challenged, or refuted, and to weave historical and archaeological threads into a series of themes that might guide future archaeological research on the period 1450\textendash1850.},
keywords = {Archaeology, Southeast Asia},
pubstate = {published},
tppubtype = {incollection}
}
@article{baoping_latest_2014,
title = {Latest Excavations of Yuan Blue-and-White and Other Ceramics from Jingdezhen and Related Issues},
author = {Li Baoping},
year  = {2014},
date = {2014-01-01},
number = {22},
pages = {6},
keywords = {Archaeology, Blue-and-White, CHINE, chine-archeologie, Yuan},
pubstate = {published},
tppubtype = {article}
}
@book{van_Campen2014,
title = {Chinese and Japanese Porcelain for the Dutch Golden Age},
author = {J. Campen and T. M. Eli"ens},
editor = {2014 in collaboration with Waanders Uitgevers-280 pages},
url = {https://books.google.fr/books?id=vjBYngEACAAJ},
isbn = {9789491196805},
year  = {2014},
date = {2014-01-01},
urldate = {2014-01-01},
publisher = {Waanders Uitgevers, in collaboration with},
abstract = {Central to this publication is the question as to which porcelain reached the Netherlands in the 17th century and how it was esteemed.Following the publication of several Dutch-language books connected to various exhibitions, all contributors to this book have long wanted to step beyond this limited scope with an international publication that contributed to the global research field of Chinese ceramics. Thirteen authors, both within and outside the Netherlands, elucidate the different sides of this topic. Although it ultimately is the history of how it was received -- what was valued and why -- a broad range of viewpoints have been chosen in order to answer those two questions adequately.--

Contents
The Dutch Golden Age: growth, innovation and consumption / Maarten Prak -- The Iberian royal courts of Lisbon and Madrid, and their role in spreading a taste for Chinese porcelain in 16th-century Europe / Teresa Canepa -- Camel cups, parrot cups and other Chinese Kraak porcelain items in Dutch trade records, 1598-1623 / Cynthia Viall\'{e} -- The Dutch 17th-century porcelain trade from an archaeological perspective / Sebastiaan Ostkamp -- Merchants in 17th-century China / Anne Gerritsen -- The Batavia connection: the Chinese junks and their merchants / Leonard Bluss\'{e} -- The Chinese junks' intermediate trade network in Japanese porcelain for the West / Miki Sakuraba -- A change in taste: the introduction of enamelled export porcelain in the 17th century / Christiaan J\"{o}rg -- Porcelain at the Cape of Good Hope in the 17th century / Antonia Malan, Jane Klose -- Women collectors and the rise of the porcelain cabinet / Cordula Bischoff -- Chinese and Japanese porcelain in the interior / Jan van Campen -- Cultural reflections on porcelain in the 17th-century Netherlands / Thijs Weststeijn -- Imitation and inspiration: the artistic rivalry between Delft earthenware and Chinese porcelain / Suzanne Lambooy.},
keywords = {1368-1912, 1600-1868, China -- Commerce -- Netherlands -- History -- 17th century, China trade porcelain -- Netherlands, Chinese -- Appreciation -- Netherlands -- History -- 17th century, Chinese -- Ming-Qing dynasties, Dutch -- Netherlands -- Delft -- Chinese influences, Japanese -- Appreciation -- Netherlands -- History -- 17th century, Japanese -- Edo period, Netherlands -- Commerce -- China -- History -- 17th century, Porcelain, Pottery},
pubstate = {published},
tppubtype = {book}
}
@article{mullins_british_2013,
title = {British Ceramics on the Northern European Periphery: Creamware Marketing in Nineteenth-Century Northern Finland},
author = {Paul R Mullins and Timo Ylimaunu and Alasdair Brooks and Titta Kallio-Sepp\"{a} and Markku Kuorilehto and Risto Nurmi and Teija Oikarinen and Vesa-Pekka Herva and James Symonds},
url = {http://link.springer.com/10.1007/s10761-013-0237-y},
doi = {10.1007/s10761-013-0237-y},
issn = {1092-7697, 1573-7748},
year  = {2013},
date = {2013-01-01},
urldate = {2019-10-06},
journal = {Int J Histor Archaeol},
volume = {17},
number = {4},
pages = {632--650},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@article{Harpster2013b,
title = {Shipwreck Identity, Methodology, and Nautical Archaeology},
author = {Matthew Harpster},
url = {http://link.springer.com/10.1007/s10816-012-9131-x},
doi = {10.1007/s10816-012-9131-x},
issn = {1072-5369, 1573-7764},
year  = {2013},
date = {2013-01-01},
urldate = {2020-04-08},
journal = {J Archaeol Method Theory},
volume = {20},
number = {4},
pages = {588--622},
abstract = {The goal of this essay is to decipher the methods used by nautical archaeologists to create and to apply affiliations or identities to the assemblages they investigate under water. By collating 36 years of data from The International Journal of Nautical Archaeology, this author proposes that the methods applied are predominantly intuitive, and are not only susceptible to a variety of interpretive critiques, their intuitive nature also impacts the various historical narratives that the material culture becomes embedded within. The author concludes by arguing that the explication of methods is necessary for the discipline to continue to grow, and proposes that disengaging the identification of ancient and early medieval wrecks from a historical narrative is a route worth exploring.},
keywords = {Archaeology, nautical, shipwreck},
pubstate = {published},
tppubtype = {article}
}
@article{ma_2012,
title = {Provenance of Zhangzhou export blue-and-white and its clay source},
author = {Hongjiao Ma and Jian Zhu and Julian Henderson and Naisheng Li},
url = {https://linkinghub.elsevier.com/retrieve/pii/S0305440311004407},
doi = {10.1016/j.jas.2011.12.002},
issn = {03054403},
year  = {2012},
date = {2012-01-01},
urldate = {2020-04-05},
journal = {Journal of Archaeological Science},
volume = {39},
number = {5},
pages = {1218--1226},
abstract = {Trace element compositions of 25 shards of Chinese Late Ming export blue-and-white porcelain from Zhangzhou and Jingdezhen kilns are analysed by Inductively Coupled Plasma Mass Spectrometry. Principle components analysis and REE distribution curves are used to establish method for provenance unknown Chinese export blue-and-white porcelain which may have originated from Zhangzhou or Jingdezhen kilns. By matching the REE distribution curves of Zhangzhou kiln samples and parent rocks of the possible clay sources used to make Zhangzhou blue-and-white, and comparing it with previous results of geological, geochemical and archaeological researches, the clay used for producing Zhangzhou export blue-and-white has been identified as having been collected from the weathered shells of a nearby potassium feldspar miarolitic granite outcrop.},
keywords = {Archaeology, blue and white, exportation, Ming},
pubstate = {published},
tppubtype = {article}
}
@techreport{Stern2012,
title = {Akko I The 1991\textendash1998 excAvATIons The crusAder-PerIod PoTTery PArT 1: TexT},
author = {J sTern},
year  = {2012},
date = {2012-01-01},
number = {51/1},
address = {Jerusalem},
institution = {ISRAEL ANTIQUITIES AUTHORITY},
abstract = {The present study examines the latter aspect of the material culture of the Latin Kingdom of Jerusalem, focusing on the ceramic finds that were unearthed in the Crusader-period levels of the large-scale excavations carried out by the israel Antiquities Authority (iAA) in various sites at Acre since the early 1990s (E. Stern and Syon, in prep.).2 These excavations have revealed a large amount and variety of local and imported pottery dating to the period of Frankish rule (the twelfth and thirteenth centuries CE).3},
keywords = {Archaeology, Crusader},
pubstate = {published},
tppubtype = {techreport}
}
@inproceedings{nigel_wood_blue_2009,
title = {Blue and White \textendash the Early Years : Tang China and Abbasid Iraq compared},
author = {Nigel Wood and Mike Tite},
year  = {2009},
date = {2009-01-01},
booktitle = {Colloquies on Art \& Archaeology in Asia No. 24},
pages = {21--45},
publisher = {Stacey Person, School of Oriental and African Studies, London University},
address = {Percival David Foundation of Chinese Art},
abstract = {‘Blue and white’ is a ceramic material that uses a cobalt-rich glaze or pigment for ornament and an opaque-white or transparent glaze as a lighter ground. It is a technique of great antiquity, with cobalt-rich inlay appearing on white Egyptian faience as early as the reign of Amenhotep III (BC 1391-1353). 1 However its most familiar manifestation is blue and white porcelain \textendash made in vast quantities since the late 1320s at China’s ‘porcelain capital’, Jingdezhen in Jiangxi province, in south China. Until relatively recently a discussion of early blue and white would have concentrated on Chinese porcelain of the first half of the fourteenth century AD but, as is now well known, the use of cobalt-blue painting on white stoneware (rather than on porcelain) can be traced to the mid-to-late Tang dynasty (late eighth to nine century AD) in China, at the northern kiln sites of Baihe and Huangye near to Gongyi City (Gongxian) in Henan province.},
keywords = {Abbasid, Blue-and-White, China, Iraq, Tang},
pubstate = {published},
tppubtype = {inproceedings}
}
@article{hendrickson_2008,
title = {New evidence of brown glaze stoneware kilns along the East Road from Angkor},
author = {Mitch Hendrickson},
url = {http://journals.lib.washington.edu/index.php/JIPA/article/view/12015},
doi = {10.7152/bippa.v28i0.12015},
issn = {1835-1794, 0156-1316},
year  = {2008},
date = {2008-01-01},
urldate = {2020-01-07},
journal = {BIPPA},
volume = {28},
number = {0},
pages = {52--56},
abstract = {Brown-glazed ceramics are commonly found at Angkorian period sites yet our knowledge of production and distribution of these wares has been limited to kilns in Thailand and along the Angkorian roads west of the capital. Recent survey along the road connecting Beng Melea with Preah Khan of Kompong Svay has identified the first evidence of brown glazed ceramic kilns east of Angkor. Nearby Angkorian temples suggest that the kilns were in operation at least by the beginning of the 12th century. This confirms that brown glazed ceramics were made locally and not imported from northeast Thailand or western Cambodia. The proximity to the Angkorian road also suggests that ceramics from these kilns were redistributed along this route to provide local communities and, potentially, the capital. The implication of these new discoveries is that the Angkorian transport system served as an important mechanism for industrial and commercial activity and not just connections between major temple centres.},
keywords = {cambodge-archeologie},
pubstate = {published},
tppubtype = {article}
}
@inproceedings{rougeulle_2005,
title = {Golfe Persique et mer Rouge: notes sur les routes de la c\'{e}ramique aux X-XIIe si`ecles},
author = {Axelle Rougeulle},
editor = {Soci\'{e}t\'{e} fran\c{c}aise d'\'{e}tude de la c\'{e}ramique orientale},
url = {https://www.academia.edu/en/72185267/Golfe_Persique_et_mer_Rouge_notes_sur_les_routes_de_la_c%C3%A9ramique_aux_X_XIIe_si%C3%A8cles, 
https://halshs.archives-ouvertes.fr/halshs-00361941},
year  = {2005},
date = {2005-01-01},
urldate = {2005-01-01},
booktitle = {TAOCI: revue annuelle de la Soci\'{e}t\'{e} fran\c{c}aise d'\'{e}tude de la c\'{e}ramique orientale},
number = {4},
pages = {41-51},
address = {Paris},
abstract = {Le golfe Persique et la mer Rouge ont toujours constitu\'{e} deux grands axes naturels du commerce maritime, passages oblig\'{e}s des marchandises entre l'oc\'{e}an Indien et la M\'{e}diterran\'{e}e, entre l'Orient et l'Occident ; ce fut notamment le cas pour les c\'{e}ramiques, qui repr\'{e}sentent souvent la seule trace mat\'{e}rielle de ces \'{e}changes conserv\'{e}e aujourd'hui. Depuis le d\'{e}but de la navigation hauturi`ere dans ces eaux au premier si`ecle de notre `ere, les populations riveraines de ces deux mers se sont donc disput\'{e} la supr\'{e}matie sur les routes du commerce oriental. Les marchands gr\'{e}co-romains d'Alexandrie `a partir de la mer Rouge, puis les n\'{e}gociants sassanides d'Iran `a partir du Golfe, ont successivement mis en place leurs propres r\'{e}seaux avec la p\'{e}ninsule arabique, l'Afrique orientale et l'Inde, r\'{e}seaux dont t\'{e}moignent les d\'{e}couvertes de c\'{e}ramiques romaines et sassanides dans ces contr\'{e}es. On sait par les textes que cette rivalit\'{e} s'est poursuivie au Moyen Age et notamment au XIe si`ecle, une \'{e}poque charni`ere dans l'histoire du commerce de l'oc\'{e}an Indien sur laquelle l'\'{e}tude des routes de la c\'{e}ramique apporte de pr\'{e}cieuses informations.},
keywords = {Indian Ocean ; Red Sea ; Persian Gulf ; ceramic ; trade ; medieval islam ; oc{\'{e}}an Indien ; mer Rouge ; golfe Persique ; c{\'{e}}ramique ; commerce ; islam m{\'{e}}di{\'{e}}val},
pubstate = {published},
tppubtype = {inproceedings}
}
@article{henshaw_34th_2004,
title = {34th International Symposium on Archaeometry},
author = {C Henshaw and Th Rehren and O Papachristou and A A Anarbaev},
year  = {2004},
date = {2004-01-01},
pages = {5},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@book{stuart-fox_short_2003,
title = {A short history of China and Southeast Asia: tribute, trade and influence},
author = {Martin Stuart-Fox},
editor = {Series Editor: Milton Osborne},
isbn = {978-1-86448-954-5},
year  = {2003},
date = {2003-01-01},
publisher = {Allen \& Unwin},
address = {Crows Nest, NSW},
series = {Short history of Asia series},
abstract = {This book sketches in broad outline the history of 2000 years of contact between the peoples and governments of China and the peoples and governments of Southeast Asia. This is an ambitious undertaking that presents some obvious problems. China itself has not always been unified and Southeast Asia is a wonderfully varied region that historically has comprised many more independent kingdoms and principalities than the ten modern states making up the Association of Southeast Asian Nations (ASEAN). Moreover frontiers have shifted over these two thousand years, and once powerful independent kingdoms in what is now southern China have disappeared.},
note = {OCLC: ocm51646253},
keywords = {Foreign economic relations, Foreign relations},
pubstate = {published},
tppubtype = {book}
}
@article{freestone_relationship_2002,
title = {The relationship between enamelling on ceramics and on glass in the Islamic world},
author = {I C Freestone},
url = {http://doi.wiley.com/10.1111/1475-4754.t01-1-00057},
doi = {10.1111/1475-4754.t01-1-00057},
issn = {0003-813X, 1475-4754},
year  = {2002},
date = {2002-01-01},
urldate = {2019-10-05},
journal = {Archaeometry},
volume = {44},
number = {2},
pages = {251--255},
abstract = {In a recent paper, Mason et al. (2001) demonstrated that enamels on mina’i ware, a Persian ceramic of the 12th century, were applied using a special firing of short duration. A similar principle was exploited to enamel glass, beginning in Syria in about the same period. This gives new credence to the long-standing idea that the origin of enamelling on glass resulted in part from an interaction between glass workers and potters.},
keywords = {islam-ceramique},
pubstate = {published},
tppubtype = {article}
}
@article{flecker_ethics_2002,
title = {The ethics, politics, and realities of maritime archaeology in Southeast Asia},
author = {M Flecker},
url = {https://linkinghub.elsevier.com/retrieve/pii/S1057241402910174},
doi = {10.1006/ijna.2002.1017},
issn = {10572414},
year  = {2002},
date = {2002-01-01},
urldate = {2019-10-05},
journal = {The International Journal of Nautical Archaeology},
volume = {31},
number = {1},
pages = {12--24},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@article{flecker_cargo_2002,
title = {A Cargo of Zhangzhou Porcelain Found off Binh Thaun Province, Vietnam},
author = {Michael Flecker},
year  = {2002},
date = {2002-01-01},
journal = {Oriental Art Magazine},
volume = {XLVIII},
number = {No.5},
pages = {10},
keywords = {Archaeology, CHINE, shipwreck, vietnam-archeologie},
pubstate = {published},
tppubtype = {article}
}
@article{article,
title = {Vietnamese ceramics in the British Museum},
author = {J. Harrison-Hall},
url = {https://www.researchgate.net/publication/307672144_Evolution_of_Islamic_Geometrical_Patterns},
doi = {10.26687/archnet-ijar.v9i1.558},
year  = {2002},
date = {2002-01-01},
urldate = {2012-01-01},
journal = {Apollo},
volume = {156},
pages = {3-11},
abstract = {Although Islam gives function and not form, Islam as a context has affects on forms and ornaments in somewhat. The great role of geometry in Islamic architecture due to restriction of using natural gures is an example. In this research, the application of Islamic geometrical patterns (IGPs), and suitability of their usage over architectural elements in terms of time- scale accuracy and architectural-style matching is studied. A detailed survey of hundred well- surviving buildings throughout the Muslim world of architecture has been conducted for this purpose and as a result, not only origin of patterns identi ed, but also radical artistic movements throughout the history of Islamic geometric ornaments revealed. Finally, this study sketches the evolution of IGPs through history, while regional diversities are also taken into account.},
keywords = {Imperial kilns, Old Summer Palace, Qianlong, Trompe-l’oeil, Yongzheng},
pubstate = {published},
tppubtype = {article}
}
@article{flecker_bakau_2001,
title = {The Bakau wreck: an early example of Chinese shipping in Southeast Asia},
author = {M Flecker},
url = {https://linkinghub.elsevier.com/retrieve/pii/S1057241401903590},
doi = {10.1006/ijna.2001.0359},
issn = {10572414},
year  = {2001},
date = {2001-01-01},
urldate = {2019-10-05},
journal = {The International Journal of Nautical Archaeology},
volume = {30},
number = {2},
pages = {221--230},
keywords = {Archaeology, CHINE, shipwreck},
pubstate = {published},
tppubtype = {article}
}
@book{Takeshi1979,
title = {Japanese ceramics from the Tanakamaru collection},
author = {Kokusai K=ōr=uū Kikin. Takeshi Nagatake},
editor = {[1979?] New York : Metropolitan Museum Art},
url = {https://www.metmuseum.org/art/metpublications/Japanese_Ceramics_from_the_Tanakamaru_Collection?Tag=\&title=japanese%20ceramics\&author=\&pt=0\&tc=0\&dept=0\&fmt=0},
year  = {1979},
date = {1979-01-01},
publisher = {METPublications},
address = {https://www.metmuseum.org/art/metpublications/},
institution = {New York : Metropolitan Museum of Art, [1979?]},
abstract = {Ky=ush=u has long been the center of Japanese pottery and porcelain production, and the Tanakamaru collection, formed by Tanakamaru Zenpachi over nearly fifty years, is one of the greatest repositories of Ky=ush=u wares. It includes the finest porcelains from such Arita kilns as Nabeshima and Kakiemon, as well as somber and earthy tea wares, particularly those from the Karatsu kilns, and spans at least three hundred years. Because of the variety and scope of the collection, we believe that this exhibition, which the Metropolitan Museum is pleased to show with the Seattle Art Museum, will prove to be a truly stimulating introduction to the art of Japanese ceramics. We are deeply grateful to Mrs. Tanakamaru Tomoko and Mr. Tanakamaru Zenshi for their generosity in sending so many of their magnificent treasures to America and for contributing both their time and skills to this project over the past several years. The idea for this exhibition was born when Mrs. Jackson Burke, a trustee of our museum and a collector of Japanese art, and Julia Meech-Pekarik, Associate Curator in the Department of Far Eastern Art, visited the exhibition gallery of the Tanakamaru Foundation in the Tamaya Department Store in Fukuoka while on a pottery tour of Ky=ush=u in March 1977. Mrs. Tanakamaru invited them to dine at her family home, and preceding the meal she hosted a tea ceremony, using antique Karatsu tea bowls in the intimacy of the Sh=of=us=o tearoom constructed by her late husband. The love of beautiful pottery and the enthusiasm for tea that were conveyed by the entire Tanakamaru family on that occasion have culminated in the present exhibition which we hope will prove an inspiration to collectors and students alike. The catalogue author, Nagatake Takeshi, trustee and consultant to the collection of the Tanakamaru Foundation, is also Director of the Arita Museum and Curator of the Saga Prefectural Museum. A foremost authority on Ky=ush=u wares, he is a prolific author and a guide to all students of Ky=ush=u ceramics. We are delighted to have had his cooperation and insight in the preparation of this exhibition.},
keywords = {Asian Art Department Centennial, Ceramic vessels, ceramics, Clay, Collections, Collectors, Decorative arts, Japan, Japanese art, Japanese artists, Japanese decorative wares, Porcelain, Stone, Tea ceramics, Tea ceremony, TheMET, Vessels},
pubstate = {published},
tppubtype = {book}
}
@book{Lerner1978,
title = {Blue and White: Early Japanese Export Ware},
author = {Martin Lerner},
editor = {New York. Metropolitan Museum Art. Catalogues. 1978-83.},
url = {https://www.metmuseum.org/art/metpublications/Blue_and_White_Early_Japanese_Export_Ware?Tag=\&title=Blue%20and%20White:%20Early%20Japanese%20Export%20Ware\&author=\&pt=0\&tc=0\&dept=0\&fmt=0},
year  = {1978},
date = {1978-01-01},
urldate = {1978-01-01},
publisher = {MetPublications},
address = {https://www.metmuseum.org/art/metpublications/Blue_and_White_Early_Japanese_Export_Ware?Tag=\&title=Blue%20and%20White:%20Early%20Japanese%20Export%20Ware\&author=\&pt=0\&tc=0\&dept=0\&fmt=0},
abstract = {This exhibition of Japanese blue and white export porcelains is of special interest as it permits comparisons between blue and white wares of similar design from the Orient and Europe, and calls attention to the vital function of the European maritime nations, particularly Portugal and Holland, in the transmission of aesthetic concepts between East and West. Clear examples of cross-cultural aesthetic exchanges are always fascinating, especially when they can be corroborated by historical documentation such as the surviving seventeenth-century registers of the Dutch East India Company.},
keywords = {Asian Art Department Centennial, Blue-and-white ware, Edo period, Import and export, Japan, MET, Porcelain, Seventeenth-century, Sixteenth-century, Trade, Vessels},
pubstate = {published},
tppubtype = {book}
}
@online{Valenstein2015,
title = {A Handbook of Chinese Ceramics (to download)},
author = {Valenstein Suzanne G},
editor = {MET Publication},
url = {https://www.metmuseum.org/art/metpublications/A_Handbook_of_Chinese_Ceramics},
year  = {1975},
date = {1975-01-01},
organization = {the MET},
abstract = {This handsome book is at once a general survey of Chinese ceramics from the early Neolithic period to the present day and an essential reference volume for art historians and connoisseurs. Originally published by The Metropolitan Museum of Art in 1975 as an introduction to its vast collection of Chinese ceramics, the book was highly praised by experts in the field. Over the last decade, however, thanks to accelerated archaeological activity in The People's Republic of China and important archaeological discoveries made elsewhere, substantial changes have been made in Chinese ceramic chronology and attributions. At the same time, analytic studies of Chinese ceramic technology have altered many basic concepts. This edition, written in the light of such enhanced knowledge, presents a far more detailed and comprehensive picture than could have been possible only a few years ago. A wealth of new information has been reported and integrated into the book, which begins over one thousand years earlier than the first edition. Almost half of the 335 objects illustrated are new to this edition; a 32-page section of color plates adds immeasurably to the usefulness of the book. This edition uses the Pinyin system of Chinese romanization; there is an appendix giving Pinyin/Wade-Giles equivalents, with the Chinese characters, as well as a chronology, maps, a glossary, selected readings, and an index. Invaluable for scholars will be the new technical information, references to relevant Chinese archaeological journals, and an appendix giving selective archaeological and other documentary comparisons to objects in the Museum's collection that are illustrated in the book.},
keywords = {ceramics, CHINE, chine-ceramique},
pubstate = {published},
tppubtype = {online}
}
@article{heng_shipping_nodate,
title = {Shipping, Customs Procedures, and the Foreign Community: The ‘Pingzhou ketan’ on Aspects of Guangzhou’s Maritime Economy in the Late Eleventh Century},
author = {Derek Heng},
pages = {38},
keywords = {commerce-maritime},
pubstate = {published},
tppubtype = {article}
}
@article{university_underwater_nodate,
title = {UNDERWATER ARCHAEOLOGY},
author = {East Carolina University},
pages = {19},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@article{oka_impact_nodate,
title = {The Impact of Imitation Ceramic Industries and Internal Political Restrictions on Chinese Commercial Ceramic Exports in the Indian Ocean Maritime Exchange, ca. 1200\textendash1700},
author = {Rahul Oka and Laure Dussubieux and Chapurukha M Kusimba and Vishwas D Gogte},
journal = {C hinese},
pages = {11},
abstract = {Trading ports in the Indian Ocean are characterized by transoceanic similarities in elite tastes and preferences for prestige ceramics. The ceramic wares in highest demand among Indian Ocean port elites were celadon and blue-and-white porcelains, manufactured in China from the tenth to the eighteenth century. However, the great demand for these ceramics also led to major attempts at imitation by potters in Southeast Asia and the Middle East almost as soon as exports from China were introduced. While some of these potters developed their own unique styles, many scholars suggest that non-Chinese products successfully competed with Chinese exports through imitation and by taking advantage of frequent Chinese imperial embargoes against foreign export and commerce between the thirteenth and seventeenth century. In this paper, we present the results of high-resolution and minimally invasive laser ablation inductively coupled plasma mass spectrometry analysis on the glazed surfaces of celadon and blue-and-white porcelains excavated from the ports of Mtwapa, Kenya, and Chaul, India. Through major element analysis (Al and Na), we will show that despite the competition from Southeast Asian and Middle Eastern industries and the imperial embargoes, Chinese celadon and blue-and-white porcelains were actively traded in the western Indian Ocean and remained the preferred prestige wares for the elites in these ports. The results suggest that the overseas demand for Chinese products drove the Chinese commercial export economy toward greater resilience to external competition and internal regulation.},
keywords = {commerce-maritime},
pubstate = {published},
tppubtype = {article}
}
@article{noauthor_khosronejad_fm.indd_nodate,
title = {Khosronejad_FM.indd},
pages = {21},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@article{brown_southeast_nodate,
title = {Southeast Asian Ceramics Museum Newsletter},
author = {Roxanna M Brown and Pariwat Thammapreechakorn and Ang Choulean and Ann Proctor and Augustine Vinh and Berenice Bellina and Chang Kuang-Jen and Chhay Visoth and David Rehfuss and Dawn Rooney and Eusebio Dizon and Gary Hill and Guo Li and Heidi Tan and Ian Glover and Jennifer Rodrigo and Louise Cort and Melody Rod-ari},
pages = {4},
keywords = {},
pubstate = {published},
tppubtype = {article}
}
@online{ChineAncienne,
title = {La Biblioth\`{e}que num\'{e}rique sur la Chine ancienne},
author = {La Biblioth\`{e}que Chine ancienne-},
editor = {Chine ancienne},
abstract = {Un riche catalogue de livres libres de droits \`{a} t\'{e}l\'{e}charger},
keywords = {CHINE},
pubstate = {published},
tppubtype = {online}
}
@booklet{Mus\'{e}eBeauxArtsLyon,
title = {La C\'{e}ramique Islamique},
author = {Mus\'{e}e Beaux Arts Lyon},
editor = {Mus\'{e}e Beaux Arts Lyon -D\'{e}partement d'Art},
month = {00},
keywords = {Islam, islam-ceramique},
pubstate = {published},
tppubtype = {booklet}
}