Bibliographie

@article{Ballian,

title = {Exchanges between Byzantium and the Islamic World: Courtly Art and Material Culture},

author = {Anna Ballian},

editor = {Museum Islamic Art BENAKI MUSEUM},

year  = {2020},

date = {2020-01-01},

keywords = {echanges, Islam},

pubstate = {published},

tppubtype = {article}

}

@article{articleb,

title = {Islamic glazed pottery from Adiabene (Iraq, Kurdistan): multianalytical research into its technological development and provenance},

author = {Jan Petvr'ik and Karel Novacek and Dalibor Vv siansk'y and Ali Al-Juboury and Karel Slav'iv cek},

url = {https://sfeco-drive.mycozy.cloud/public?sharecode=6zlJxGUXhHyT},

doi = {10.1007/s12520-019-01002-3},

year  = {2020},

date = {2020-01-01},

urldate = {2020-01-01},

journal = {Archaeological and Anthropological Sciences},

volume = {12},

abstract = {This paper explores the production characteristics and provenance of Islamic glazed pottery in the Adiabene region of north-eastern Mesopotamia. Samples cover the entire time span under study, i.e., from the Early to the Late Islamic periods. Analytical techniques such as ceramic petrography, powder X-ray diffraction, scanning electron microscopy, and X-ray microanalysis were employed to determine compositional (mineralogical and chemical) and technological characteristics. Based on the comparison of ceramic fabrics with up-to-date knowledge of regional geology, local plain pottery, and the published petrography of Mesopotamian ceramics, several provenance groups of glazed pottery (and one group of unglazed pottery) in the sample collection, originating from the Zabs catchment, the middle course of the Tigris (Samarra?) and the middle and lower course of the Tigris (Baghdad and/or Basra?) were defined. Dynamic oscillations in the ratio of regionally produced and imported pottery enable a detailed study of the socio-economic differences between the Early and Middle Islamic periods. 

\ldots Read more},

keywords = {Islamic glazed pottery . Petrofabrics . Glaze composition . Early Islamic period . Provenance . Adiabene},

pubstate = {published},

tppubtype = {article}

}

@article{Rougeulle2005c,

title = {Golfe Persique et mer Rouge: notes sur les routes de la c\'{e}ramique aux X-XIIe si\`{e}cles},

author = {Axelle Rougeulle},

editor = {HAL},

url = {http://localhost:8888/sfeco-jmr/fr/axelle-rougeulle-2005-taoci-2/ 

 

http://localhost:8888/sfeco-jmr/wp-content/uploads/Axelle-Rougeulle-2005-TAOCI.pdf https://www.dropbox.com/s/b54h9mfhbp3zcas/Axelle%20Rougeulle-2005-TAOCI.pdf?dl=0},

year  = {2019},

date = {2019-09-11},

journal = {TAOCI: revue annuelle de la Societe fran\c{c}aise d’etude de la ceramique orientale, Societe fran\c{c}aise d’etude de la ceramique orientale},

abstract = {Le golfe Persique et la mer Rouge ont toujours constitu\'{e} deux grands axes naturels du commerce maritime, passages oblig\'{e}s des marchandises entre l’oc\'{e}an Indien et la M\'{e}diterran\'{e}e, entre l’Orient et l’Occident ; ce fut notamment le cas pour les c\'{e}ramiques, qui repr\'{e}sentent souvent la seule trace mat\'{e}rielle de ces \'{e}changes conserv\'{e}e aujourd’hui. Depuis le d\'{e}but de la navigation hauturi\`{e}re dans ces eaux au premier si\`{e}cle de notre \`{e}re, les populations riveraines de ces deux mers se sont donc disput\'{e} la supr\'{e}matie sur les routes du commerce oriental. Les marchands gr\'{e}co-romains d’Alexandrie \`{a} partir de la mer Rouge, puis les n\'{e}gociants sassanides d’Iran \`{a} partir du Golfe, ont successivement mis en place leurs propres r\'{e}seaux avec la p\'{e}ninsule arabique, l’Afrique orientale et l’Inde, r\'{e}seaux dont t\'{e}moignent les d\'{e}couvertes de c\'{e}ramiques romaines et sassanides dans ces contr\'{e}es. On sait par les textes que cette rivalit\'{e} s’est poursuivie au Moyen Age et notamment au XIe si\`{e}cle, une \'{e}poque charni\`{e}re dans l’histoire du commerce de l’oc\'{e}an Indien sur laquelle l’\'{e}tude des routes de la c\'{e}ramique apporte de pr\'{e}cieuses informations},

note = {pas de remarques},

keywords = {commerce maritime, Islam, route de la c\'{e}ramique},

pubstate = {published},

tppubtype = {article}

}

@article{Magli2019b,

title = {Astronomy and Feng Shui in the projects of the Tang, Ming and Qing royal mausoleums: A satellite imagery approach},

author = {Giulio Magli},

url = {https://linkinghub.elsevier.com/retrieve/pii/S2352226718300515},

doi = {10.1016/j.ara.2018.10.004},

issn = {23522267},

year  = {2019},

date = {2019-01-01},

urldate = {2020-04-08},

journal = {Archaeological Research in Asia},

volume = {17},

pages = {98--108},

abstract = {The royal Chinese mausoleums of the Tang, Ming and Qing Chinese dynasties are astounding ensembles of monuments, conceived and built to assure immortality in the afterlife and perennial fame on Earth for the emperors. To this end, a series of cognitive elements were embodied in the funerary landscapes selected for such monuments, including astronomy, general topography and traditional Chinese “geomancy”. Taking advantage of satellite imagery and paleo-magnetic data analysis, I investigate this issue from a general perspective. In particular, a simple but rigorous approach is developed to determine whether the magnetic compass was used in the planning of such monuments.},

note = {Chinese mausoleums 

Chinese sacred landscapes Archaeoastronomy of ancient China History of Feng Shui},

keywords = {Archaeoastronomy, Archaeology, Chinese mausoleums, Chinese sacred landscapes, Feng Shui, Ming, Qing, Tang},

pubstate = {published},

tppubtype = {article}

}

@article{ChidaRazvi2019FromFT,

title = {From Function to Form: Chini-khana in Safavid and Mughal Architecture},

author = {Mehreen Chida-Razvi},

year  = {2019},

date = {2019-01-01},

journal = {South Asian Studies},

volume = {35},

pages = {106 - 82},

keywords = {},

pubstate = {published},

tppubtype = {article}

}

@article{Chen2019,

title = {Fooling the eye: trompe l’oeil porcelain in High Qing China},

author = {Chih-en Chen},

url = {https://journals.openedition.org/framespa/6246 https://www.academia.edu/39519913/Chih_en_Chen_Fooling_the_eye_trompe_l_oeil_porcelain_in_High_Qing_China_Les_Cahiers_de_Framespa_En_ligne_31_2019_mis_en_ligne_le_01_juin_2019_consult\'{e}_le_11_juin_2019_URL_http_journals_openedition_org_framespa_6246_Haut_de_page?email_work_card=view-paper},

doi = {10.4000/framespa.6246},

year  = {2019},

date = {2019-01-01},

urldate = {2019-01-01},

journal = {Les Cahiers de Framespa},

volume = {31},

pages = {1-44},

abstract = {Porcelain imitation of other materials, or so-called ‘trompe l\'{o}eil’ porcelain, 

popular from the late Yongzheng to the Qianlong period, has been regarded as 

an aesthetic representative of Chinese emperors as well as an iconography of court power. 

Several studies have been conducted to understand the connection between porcelain and 

emperors’ connoisseurship; however, much of that research has focused on the physical 

characteristics of porcelain and corresponding imageries, namely the painted antiquity 

cataloging album. Such object-focused methodology overlooks the concept underlying 

the works, which is inherently related to their very existence, namely their origin. 

Pierson characterizes this traditional approach as ‘outward focused’, and suggests 

a new methodology to overcome its shortcomings. This framework is focused on 

‘of the period’ literatures, to define the understanding of certain aesthetics. 

Therefore, in this essay, numerous Chinese classics are reviewed from Warring States 

period Lilun to Qing dynasty Hong Lou Meng. Following the terminology investigation 

over Chinese classic literatures, this research proposes some possible rationale 

behind a considerable number of trompe l\'{o}eil porcelains passed down from 

the Qing Imperial workshops which seems to be ignored in Huoji dang. Moreover, 

based on Huoji dang, this essay aims to understand how Qing dynasty emperors and 

the Imperial workshop’s reception of trompe l\'{o}eil works of art and 

their iconographic connotations.},

keywords = {Imperial kilns, Old Summer Palace, Qianlong, Trompe-l'oeil-porcelain, Trompe-l’oeil, Yongzheng},

pubstate = {published},

tppubtype = {article}

}

@article{shea_mongol_2018,

title = {The Mongol Cultural Legacy in East and Central Asia: The Early Ming and Timurid Courts},

author = {Eiren L Shea},

url = {https://www.tandfonline.com/doi/full/10.1080/0147037X.2018.1510151 

https://www.academia.edu/37495443/The_Mongol_Cultural_Legacy_in_East_and_Central_Asia_The_Early_Ming_and_Timurid_Courts},

doi = {10.1080/0147037X.2018.1510151},

issn = {0147-037X, 1759-7595},

year  = {2018},

date = {2018-01-01},

urldate = {2020-06-18},

journal = {Ming Studies},

volume = {2018},

number = {78},

pages = {32--56},

abstract = {Following the fall of the Mongol Empire (c. 1206--1368) in both East and West Asia, Zhu Yuanzhang (Hongwu Emperor, r. 1368--1398), the founder of the Ming Dynasty (1368--1644) in China, Timur (r. 1370--1405), founder of the Timurid Empire (1370--1507) in Central Asia, and their successors used the legacy of the Chinggisid Mongols in different ways to lend an aura of power and legitimacy to their newly established courts. In this paper, I explore the cultural legacy of the Mongol Empire as manifested in the early Ming and Timurid courts, with a special interest in how continuing cultural exchange between the two courts impacted the arts produced in both places. In particular, I highlight how the ongoing incorporation of ``foreign'' motifs and techniques set the tone for the arts of both courts in the late fourteenth century.},

keywords = {Central Asia, East Asia, Ming, Mongol, Timurid},

pubstate = {published},

tppubtype = {article}

}

@article{colomban2017,

title = {Non-invasive Raman analyses of Chinese huafalang and related porcelain wares. Searching for evidence for innovative pigment technologies},

author = {Philippe Colomban and Yizheng Zhang and Bing Zhao},

url = {https://linkinghub.elsevier.com/retrieve/pii/S0272884217312786 

https://www.academia.edu/35460405/Non_invasive_Raman_analyses_of_Chinese_huafalang_and_related_porcelain_wares_Searching_for_evidence_for_innovative_pigment_technologies},

doi = {10.1016/j.ceramint.2017.06.063},

issn = {02728842},

year  = {2017},

date = {2017-10-01},

urldate = {2017-10-01},

journal = {Ceramics International},

volume = {43},

number = {15},

pages = {12079--12088},

abstract = {Eighteen Chinese painted enamelled porcelains and three Chinese enamelled Yixing stonewares dated to the 16th to 19th centuries and kept at the Mus\'{e}e national des arts asiatiques-Guimet (MNAAG), have been analysed with a mobile Raman set-up to identify their enamelling technology. Different Grand Feu (leadless or lead-poor colourless and blue enamel) and Petit Feu (lead-rich red (hematite), yellow and green (Pb-Sn/Sb/X pyrochlore) and black enamels) glazes were respectively identified on wares from the wucai group, the Famille verte group, and the huafalang group. Calcium phosphate was detected in a 17th century vase as a rare opacifier. Cassiterite was identified in the light green glaze of an imperial huafalang bowl dated to the final period of the Kangxi reign (1662--1722), ca. the 1st quarter of the 18th century. Lead arsenate was identified in the blue glaze of two artefacts, a huafalang bowl and a painted enamel water dropper, and in the blue enamel of a 19th century Yixing teapot. Lead arsenate found in some of the blue enamels appears to arise from the arsenic content in Erzgebirge cobalt ores (Saxony) and not due to voluntary addition. This may prove the use of raw materials or enamel powder imported from Europe in developing these opaque colours. The use of lead arsenate as white opacifier is clear for a water dropper bearing the Yongzheng emperor's mark (r. 1723--1735). The technological palette appears different for the artefacts expected to originate from the same period and provenance (imperial workshop) which is consistent with a period of intense innovation, open to technological skill from abroad -- i.e. from French/European painted enamel technology -- as revealed by ancient French (Jesuits) and Chinese historical reports.},

keywords = {China, huafalang, pigments, Raman, Spectroscopic analysis},

pubstate = {published},

tppubtype = {article}

}

@article{Tripati2017,

title = {Chemical composition and provenance of Chinese porcelain shards recovered from Old Goa, west coast of India},

author = {Sila Tripati and G Parthiban and J N Pattan and Andrew Menezes},

url = {https://www.academia.edu/732857/A_study_of_provenance_and_dating_of_ancient_Chinese_porcelain_by_x_ray_fluorescence_spectrometry

https://linkinghub.elsevier.com/retrieve/pii/S2352409X16306423

https://sfeco-drive.mycozy.cloud/public?sharecode=GWiCg6lLl6Qb},

doi = {10.1016/j.jasrep.2017.06.002},

issn = {2352409X},

year  = {2017},

date = {2017-01-01},

urldate = {2017-01-01},

journal = {Journal of Archaeological Science Reports},

volume = {14},

pages = {467--478},

abstract = {During recent archaeological explorations at Old Goa, west coast of India, twenty three Chinese porcelain shards of the Ming (Middle to late 16th century), Qing (17th century) and late Qing period (late 17th century) have been recovered. In order to understand the nature and source of raw material and kilns, these shards were analysed for major elements with X-ray fluorescence (XRF), trace and rare earth elements by Inductively Coupled Plasma-Mass Spectrometer (ICP-MS). The analysis suggests that porcelain shards are siliceous in nature (SiO2 70%) and contain high Al2O3 (21.6%), Rb (388 ppm) and Ba (160 ppm) but have low Sr (48 ppm). This composition suggests that the raw materials used for producing porcelain were silica, kaolinite and sericite which are characteristics of porcelains manufactured in Southern China. Comparatively, high Al2O3 (kaolinite) content in porcelains of the Qing Dynasty suggest improvement of quality, particularly mechanical strength, of Jingdezhen porcelain. In general, major element composition, trace metals, total rare earth elements (67 ppm) and their chondrite - normalized pattern of the Ming, Qing and late Qing period are nearly similar and appear to be made of identical raw materials.},

keywords = {Archaeology, chine-archeologie, Chinese Porcelain, shipwreck},

pubstate = {published},

tppubtype = {article}

}

@article{power_2015,

title = {A First Ceramic Chronology for the Late Islamic Arabian Gulf},

author = {Timothy Power},

url = {http://www.equinoxpub.com/journals/index.php/JIA/article/view/27011},

doi = {10.1558/jia.v2i1.27011},

issn = {2051-9710, 2051-9729},

year  = {2015},

date = {2015-01-01},

urldate = {2020-01-21},

journal = {JIA},

volume = {2},

number = {1},

pages = {1--33},

abstract = {Islamic archaeology in the Arabian Gulf has grown tremendously in recent years. However, a ceramic chronology for the Late Islamic Arabian Gulf has not yet been put forward. The present paper constitutes a rst attempt at a re ned periodization based on the occupational sequence of al-Ain, UAE. The study is based on the typo- logical quanti cation of sherds from strati ed excavations undertaken by the Historic Buildings and Landscapes Section of the Tourism and Culture Authority Abu Dhabi. It is broadly based on the methodology developed by Derek Kennet in his much-cited Sasanian and Islamic Pottery from Ras al-Khaimah (2004). The c. 13,500-sherd assemblage has been divided into six periods of thirty to seventy years spanning the later seven- teenth to mid-twentieth centuries. The al-Ain assemblage is compared to published ceramics from contemporary sites in the Gulf region and further compared to relevant historical sources to draw out the wider implications of the ndings. The present study constitutes an interim report and full publication of ceramics from al-Ain will appear in a multi-authored pottery handbook currently in preparation.},

keywords = {Arabian Gulf, Archaeology, Islam},

pubstate = {published},

tppubtype = {article}

}

@article{Pevenage2015b,

title = {Illustration of compositional variations over time of Chinese porcelain glazes combining micro-X-ray Fluorescence spectrometry, multivariate data analysis and Seger formulas},

author = {Van J Pevenage and E Verhaeven and B Vekemans and D Lauwers and D Herremans and De W Clercq and L Vincze and L Moens and P Vandenabeele},

url = {https://linkinghub.elsevier.com/retrieve/pii/S0584854714003176 

http://localhost:8888/sfeco-jmr/fr/van-pevenage2015-illustration-of-compositional-variations-over-time-of-chinese-porcelain-2/},

doi = {10.1016/j.sab.2014.11.012},

issn = {05848547},

year  = {2015},

date = {2015-01-01},

urldate = {2020-02-14},

journal = {Spectrochimica Acta Part B: Atomic Spectroscopy},

volume = {103-104},

pages = {106--111},

abstract = {In this research, the transparent glaze layers of Chinese porcelain samples were investigated. Depending on the production period, these samples can be divided into two groups: the samples of group A dating from the Kangxi period (1661\textendash1722), and the samples of group B produced under emperor Qianlong (1735\textendash1795). Due to the specific sample preparation method and the small spot size of the X-ray beam, investigation of the transparent glaze layers is enabled. Despite the many existing research papers about glaze investigations of ceramics and/or porcelain ware, this research reveals new insights into the glaze composition and structure of Chinese porcelain samples. In this paper it is demonstrated, using micro-X-ray Fluorescence (μ-XRF) spectrometry, multivariate data analysis and statistical analysis (Hotelling's T-Square test) that the transparent glaze layers of the samples of groups A and B are significantly different (95% confidence level). Calculation of the Seger formulas, enabled classification of the glazes. Combining all the information, the difference in composition of the Chinese porcelain glazes of the Kangxi period and the Qianlong period can be demonstrated.},

keywords = {Archaeology, Archaeometry, chine-archeologie, Chinese Porcelain, Glaze analysis, Spectroscopic analysis, X-ray Fluorescence},

pubstate = {published},

tppubtype = {article}

}